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Slate Digital is proud to announce the release of FG-X Mastering VST.RTAS.v1.0.2 for both 32 and 64 bit systems, the newest iteration of the award winning FG-X multiband mastering suite with audio engine optimized specifically for mastering audio at very high sample rates (96kHz+ ). FG-X was designed with extremely low latency in mind, making it ideal for mastering studios or any situation where sub millisecond response times are required, such as live recording or broadcast environments. Within its sophisticated technical framework FG-X is also an extraordinarily deep and flexible tool that will appeal to professional audio engineers who need comprehensive control over their audio material, without sacrificing sound quality or ease of use. The centerpiece of the FG-X mastering system is a set of four digitally controlled analog filters with near limitless configuration options. Each filter can be assigned to process a different frequency range using one of three modes: Another key feature of the analog section of FG-X is the inclusion of digital low-pass and high-pass filters. These filters can be used in conjunction with one another to provide a far greater degree of flexibility over the inherently limited frequency range that analog filters can produce, or used independently to help control aliasing artifacts on signals where distortion is desirable, such as drum loops. The FG-X Mastering System supports the following sample rates: The FG-X multiband mastering suite includes a mixer designed to provide all of the processing functionality needed for loudness maximization, detail enhancement, and harmonic enhancement. The mixer is split into four bands for each filter, providing individual gain control over each filter for distortion reduction or harmonic adjustment. Mastering engineers will be pleased to discover that there are no sub-band or sub-mix controls in FG-X VST plug-ins. Time stretches are achieved using the full stereo signal, with the output level of each band set manually by hand if necessary. The individual bands within the FG-X mastering suite can be processed independently, allowing for advanced control over overall gain structure. After all adjustments are made, the material is automatically summed to mono, ready to be processed by any compatible stereo VST or RTAS plug-in. The mixer also includes a phase invert switch that can be used to correct phase problems between different frequency ranges. Further control is offered via an analog style gain concentrator knob that operates in 0dB - 12dB wide range, 0dB = no action/unity gain . When audio material is limited only by sample rate there are many different ways of presenting it. The controls within FG-X are designed to provide maximum flexibility over the final results. The autofilter and tape controls inherently distort the original material slightly, and can be used to apply subtle harmonic saturation or surface noise reduction. The loudness maximizer takes advantage of the fact that many frequencies can be removed without degradation of intelligibility. A notched filter is used to remove frequencies above a user-specified threshold (3rd order Linkwitz-Riley), such that only those frequencies within that threshold are retained. This gives a very precise control over overall loudness, with the loudness unit, LUFS (Loudness Units Full Scale) indicating the output of the filter at 0dBFS. cfa1e77820
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